Apr 1, 2025

ifitbeyourwill S05E07 • Danny Bateman of FROG

Danny Bateman's musical journey unfolds like a richly textured composition – beginning with classical piano at age seven, where he discovered the profound connection between player and composer. "I'm experiencing what Mozart's body feels like 200 years later," he reflects, highlighting how this early training built the foundation for his innovative approach to songwriting.

The pivotal moment came during his first recording studio session as a teenager. Witnessing the magic of production techniques—overdubbing, multiple takes, vocal doubling—crystallized his future path. "That was when I knew this is what I want to do for the rest of my life," Bateman shares, though he admits his real education came through hands-on experience rather than formal training.

What makes Bateman's creative process uniquely compelling is his embrace of improvisation and structure simultaneously. "Form creates the walls that you sit in," he explains. "Without form, nothing means anything." This philosophy manifests in his latest project with FROG, "1000 Variations on the Same Song," inspired by Lil Wayne's mixtape approach—marathon recording sessions yielding dozens of improvised pieces. With his brother Stevie on drums, Bateman captures spontaneous creative moments, later selecting the most memorable to re-record on his increasingly lo-fi eight-track tape machine.

The results speak for themselves—sold-out shows at venues like Bowery Ballroom and an upcoming West Coast tour with rapidly disappearing tickets. For aspiring musicians, Bateman offers crystal-clear advice: "You need to fail a lot, iterate, attempt." He emphasizes that accumulating "reps" through prolific creation is the only path to mastery. Most importantly, "If you're not having fun, then the song isn't good. If you are having fun, then the song is good."

Ready to experience FROG's unique sound? Catch their West Coast tour kicking off next week, or dive into their extensive catalog featuring some of indie music's most joyfully authentic compositions. The beauty of Bateman's approach lies in its simplicity—creating music worth making for its own sake, with each new recording building toward something increasingly extraordinary.






Following the critical and commercial success of 2023's Grog,’ cult New York duo Frog return with ‘1000 Variations on the Same Song,’ their sixth album.

 

'1000 Variations on the Same Theme' is an eclectic, emotional, and lyrically vivid collection. These songs see Daniel Bateman refer to My Chemical Romance, Gucci, Stillwell deals, fatherhood, and the 6 train (“I was listening to a lot of Mozart, Kodak Black, and Prince, but it doesn't really sound like any of those.”). 

 

Musically, songs like “TOP OF THE POPS VAR. I” and “DOOMSCROLLING VAR. II” touch on the frenetic Indie Rock that defined their earlier work, while the idiosyncratic Alt. Country of Count Bateman’ and ‘Grog’ can be heard on ‘WHERE U FROM VAR. III’ and ‘ARTHUR MCBRIDE ON THE LOWER EAST SIDE VAR. X.’ Singles like JUST USE YR HIPS VAR. VI’ and December’s ‘DID SANTA COME VAR. IX’ also introduce a smoky lounge element to Frog’s sound.

 

However, as Daniel explains it, these are all just variations on the same song:

 

“1000 Variations on the Same Song is a theme and variations—there are times in your life as a songwriter where you'll start a bunch of stuff that all sounds alike, which can be a problem, something that you want to excise from yourself. This time, I decided to embrace it and take it as far as it could go.

 

"The first four variations were recorded in one long take, ("HOUSEBROKEN") is the last one in that sequence. I added piano and doubled the vocals, etc, but basically, all those songs were done in one 15-minute stretch. If you’re working quickly and your goal is to finish an entire album or more in one night, amazing things can happen. How many songs can you write using the same chords? How many songs can you record and finish in one day? The answer to both is near-infinite with the right environment and mindset.”

television skies • Time of My Life • 2025




Television Skies is a New York City based duo blending infectious pop rock energy with a vintage, feel-good vibe. Known for their anthemic hooks, raw emotion, and rebellious spirit, they create songs that hit with both nostalgic intensity and punk rock heart. Television Skies is redefining alternative pop music on their own terms — staying true, and free from disguise. Inspired by artists like The 1975, Coldplay and Arctic Monkeys, the duo craft intoxicating songs that speak to universal themes of love, identity, and perseverance. 

The Bones of J.R. Jones • Shameless • 2025



“‘Shameless’ is taking the long way home to retread your past,” says The Bones of J.R. Jones (aka Jonathon Linaberry). “The inevitable inner conflict and perhaps guilt that rise up from past decisions, that were maybe made in haste and in passion. I think we all struggle with the ‘what could have been’ question. What arrogant fool can’t look back and wonder? I am just trying to recognize that in this song.”


Mar 31, 2025

Agora Sci-Fi • sloppy • 2025


Crafted for a bright, dreamy day,  "sloppy" offers a relatable narrative for those stuck in a rut. Untangling the desire to escape from the social, economical, and psychological restraints of contemporary life, "sloppy" flirts with dynamics by gradually getting louder towards the end of the track, as Agora Sci-Fi highlights the injustice of the metaphorical shackles we are chained to.





Mar 29, 2025

Womb • One Is Always Heading Somewhere • 2025




“In a day-to-day sense, feelings can be quite elusive to me,” says Cello Forrester. “I think it’s such a blessing to have art as a means to explore what a feeling is trying to say before using words and sound to put those feelings in context while reflecting your internal world into the external.” A singer-songwriter, guitarist and string player, Forrester is the frontperson of Womb, the Tāmaki Makaurau and Whakatū-based dream-pop band they share with their siblings-cum-musical collaborators, Haz Forrester (synth, guitar) and Georgette Brown (drums). RS AU

CocoRosie • Girl In Town (feat. Chance the Rapper) • 2025




CocoRosie, the sister duo of Bianca and Sierra Casady, release their eighth studio album Little Death Wishes (Joyful Noise), today. In advance of their 42-date European tour, they will celebrate the album release in New York tonight with an event aptly titled: CocoRosie's Jubilation Ball: A Tits Out Ecstatic Rave Celebration at rollerskating rink Xanadu here.

CocoRosie announced Little Death Wishes with the existentialist and meaning-seeking songs "Cut Stitch Scar,” “Yesterday,” and “Least I Have You,” and the album includes the genre-bending track “Girl In Town” with Chance the Rapper.

Late last year, CocoRosie started the next chapter with the single and video  “Least I Have You,” an ecstatic ode to sisterhood and the purest distillation of CocoRosie’s 20-year-long career to date, alongside the announcement that they would be joining Joyful Noise Recordings (Deerhoof, ONEIDA, Kishi Bashi, WHY?, etc).

Stella Bridie • Speaking Terms • 2024


Just as her earlier single ‘He Didn’t Mean It’ made clear through playlisting on triple j and Unearthed, praise across Rolling Stone, NME, Ones To Watch, Spotify’s Fresh Finds and Apple Music’s New Music Daily, Heaps Local, Antidote; a stand out BIGSOUND debut and supports for Telenova and Lola Scott - Stella Bridie’s music leaves a lasting mark.

Mar 28, 2025

David Lowery • Frozen Sea • 2025


Over the years, many have encouraged me to write an autobiography. However, it never really appealed to me.

So, in lieu of an uninteresting written autobiography I’ve made this record. I do this not so much to tell my own story but to pay tribute to my mother, father, sisters, extended family, friends, and those who have shared their lives with me.

Fathers, Sons and Brothers available to pre-order now 3-LP Ltd edition Red, White & Blue vinyl gatefold set with 12-page booklet, a 2-CD set with 20-page booklet.



David Lowery, chief singer-songwriter and frontman from the aforementioned bands, is now taking a much different approach to his songwriting and is singing about something he's really never dug that deep into - himself. 

On his latest sprawling 28-song solo album, Fathers, Sons and Brothers, Lowery lets his memory, and pen, traverse back to some of his earliest memories as a child in an English seaside town ("Frozen Sea"). Throughout the length of the album, he chronologically takes us through his youth (attending a Spanish bullfight with his family, where he asks "Papa, do they really kill the bull?") and carries on through his coming-of-age period (re-locating to California's Coachella Valley with his family in the '70s, as well as a humorous tale of landing in Disneyland jail after getting sh*t-faced on vodka and mushrooms at the theme park, and standing up to bullies in his disabled sister's defense).

David recalls moving away from his loving parents' home ("Mom, I'm Living the Life"), starting a band ("I Wrote A Song Called Take The Skinheads Bowling") and then goes onto detail an early love that sadly disintegrated due to his own self-described anger and selfishness on, perhaps, the album's most moving track ("Mexican Chickens").

The album further delves into the ups and downs of his music careers with both groups (tapping into CVB band tensions on "We Hate You" and Cracker's quick rise to fame in the early/mid '90s on "It Don't Last Long"). He recalls hooking up with his future ex-wife in Richmond, VA ("Pretty Girl from Oregon Hill"), and details friends (Sparklehorse's Mark Linkous on "Mark Loved Dogs and Babies"), family, children, divorce and more. 

By the end of this lengthy, insightful album, you get the feeling that you really know this artist, how he thinks, and have a good sense about who he really is... warts and all. Just as every good autobiography worth its salt does. Thankfully this one just happens to be bound with some truly gorgeous melodies and songs. 

Mar 26, 2025

ifitbeyourwill S05E06 • Charles Daneau of EggS

Dive deep into the indie rock world of French band EggS with frontman Charles Daneau, who joins us from Paris to unpack the band's musical evolution and creative philosophy. Charles reveals how discovering American lo-fi bands like Guided by Voices and Beat Happening fundamentally shaped his approach to music, showing him that expression matters more than technical perfection.

The conversation explores EggS' collaborative songwriting process, where Charles brings acoustic foundations that transform through the diverse influences of his bandmates. We witness how negotiations between his Big Star sensibilities and his colleagues' more contemporary tastes create their unique sonic identity. Charles candidly shares how a simple lineup change—moving their drummer to guitar and bringing in a punk drummer—completely transformed their sound, finally achieving the "wall of sound" they'd been seeking.

Between their 2022 debut "A Glitter Year" and 2024's "Crafted Achievement," we track how EggS evolved their arrangements, creating more space between instruments while maintaining their raw energy. Charles offers fascinating insights into his English-language songwriting, their recording process with trusted studio partners who understand their vision, and their ambitious plans for new music created with open tunings and a revamped demo approach. For fans of indie rock with substance, Charles Daneau's musical journey demonstrates how authenticity and creative evolution can produce something truly special. Listen now and discover why audiences across France—and increasingly internationally—respond with smiles and dancing to EggS' distinctive sound.

Support the show

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  La formation parisienne EggS, fanfare pop autoproclamée née dans l’esprit de Charles Daneau, avait frappé fort en 2022 avec la sortie d’A Glitter Year, son premier album.

     La bande, passée à 8 membres (ou 10, on ne sait plus trop), prépare aujourd’hui son retour avec un second album particulièrement attendu, Crafted Achievement, à paraître le 1er novembre chez Howlin’ Banana (FR) et Prefect Records (UK). On y retrouve les influences habituelles de Daneau, majoritairement situées du côté de l’indie américaine des années 80 et 90, dans 8 nouveaux titres toujours aussi immédiatement accrocheurs.

Mar 25, 2025

Caroline Strickland • Martha's Calling • 2025


"Dreamy, impassioned, and melodramatic, “Martha’s Calling” is the cathartic release of a heavy heart and weathered soul; a beautifully tender alt-folk eruption that is at once relatable, and yet so intimate to the artist, speaking to her own inner reckoning and painful reflections." ~ Atwood Magazine



SHOPFIRES • You Can't Live Without Me • 2025



 

Mar 23, 2025

Pale Blue Eyes • New Place • 2025





The third album from Pale Blue Eyes is called New Place – invocation of fresh horizons; swapping creamy Devon for the synth central of Sheffield. The album arrives on the back of extensive and emotional transit. For PBE, 2024 started with a wonderful tour of 12 European countries with Slowdive. Over 12,000 kilometres. Snow and deep cold in Norway and Poland. Drought-stricken landscapes in France and Spain. On and on, joyously so. The year’s end brought more movement for the married couple at the core of Pale Blue Eyes, singer and guitarist Matt Board and drummer and synth queen Lucy Board. Sadly, family tragedy catalysed a move from South Devon to South Yorkshire.

Pale Lights • Pale Lights • 2025




fiercely independent label and mailorder that specializes in indiepop, power pop, indie rock, lo-fi pop, twee, and pretty much any other kind of fun pop music that we fancy...

Mar 21, 2025

ifitbeyourwill S05 E05 • Carolina Chauffe of hemlock


Carolina Chauffe, performing as Hemlock, has spent the past year and three months as a musical nomad, never staying in one place for more than two weeks. Transmitting from Chicago between tour stops, she describes this lifestyle as a delicate balance of the "miraculous and exhausting" — finding empowerment and community connection while sacrificing stability and proximity to loved ones.

Chauffe's musical journey began in competitive choirs, gradually transitioning from the safety of collective performance to the vulnerability of solo artistry. This evolution reflects her approach to creativity: embracing vulnerability while remaining connected to community. Most fascinating is her "Song of Day" project, now in its sixth year, where she writes and records one song daily for an entire month annually. This practice has generated hundreds of compositions and fundamentally transformed her relationship with songwriting. "The more songs that I write, the more kinds of songs I feel comfortable writing," she explains, describing how the project expanded her creative boundaries across genres, narration styles, and instrumentation.

Her latest album 444, released in October 2024, showcases twelve selections from these Song of Day collections, reimagined with a full band of Chicago musicians. The album deliberately spans all six years of the project, opening with "Day One" to honor where it all began. With touring planned through August and several recording projects in development, Schaaf exemplifies artistic dedication in its purest form. Her practice of observing both "the miraculous and the mundane" transforms everyday experiences into universally relatable songs, creating what she beautifully describes as "golden strings that defy geographical proximity and linear time." Don't miss the chance to experience Hemlock live — follow her journey, attend a show, and discover the power of daily creative practice.



https://hemlocksounds.com/


“As Hemlock meanders between major and minor keys, mixing honey into a whispered earnestness that could otherwise be stinging, with home-recorded hiss coming and going as it pleases, it is easy to choose your own adventure. To go off exploring, to think about home as a journey, to fit the heartwarming into the same musical breath with the heart-wrenching.” -Misha Scott, Hullaballoo 


Mar 20, 2025

hemlock • 444 • 2024




The twelve songs that make up this angel number album have all been previously released over the past five years by front-person Chauffe as solo iPhone recordings. Now, a "best of, so far", ‘444’ manifests as a curated archive of this handful of tracks, chosen among hundreds, re-contextualized and recaptured in a collaborative, mostly-live, two-day-long, intensive studio session at In The Pocket in Chicago. Crafted with audible urgency and sharp-edged dedication, and brought to life with a beloved midwestern band featuring all-stars Bailey Minzenberger, Andy "Red" PK, and Jack Henry (Chicago music scene bastions and members of Friko, Free Range, Red PK) as the backbone and the beating heart.

Mar 19, 2025

Califone • Live on KEXP • 2023




Darksoft • Rationalism • 2025


Darksoft is a multi-instrumentalist songwriter and producer who creates dreamy indie rock sounds. Darksoft songs blend dream pop and shoegaze elements, using lush melodic progressions, 80s/90s alternative rock undertones, and deftly executed vocals. Lyrically, he weaves through clichés, platitudes, and aphorisms that explore universal truths and philosophical themes, giving his music an introspective and existential edge. Darksoft is a solo recording project often supported by a full band for live shows.




Darksoft began the new year by dropping a new single “Devil’s In The Details”, the first from his forthcoming seventh album Rationalism, slated for release on February 21st. Now he returns with a second single “After All“, released via Spirit Goth Records. Once again, he serves up an enchanting and dreamy slice of ear candy, filled with crystalline jangly guitars and assertive but gentle percussion. His captivating vocals beautifully express a sad resignation as he croons the lyrics touching on feelings of loss and regret over a romantic relationship’s that ended: “After all we’ve been through, thought that we’d be close. But all is said, said and done. And you’re so far away.” Given its first two tracks, Rationalism promises to be another superb album. Koyal

Lucette • Rodeo Clown • 2025




"'Rodeo Clown' is about feeling like despite giving it your all, you won’t succeed," says Lucette. "Even if you have the same bruises and failures as the ones that have seen glory. It’s about feeling unseen while still admitting to your faults.” 

Mar 18, 2025

ifitbeyourwill S05E04 • Alan D Boyd of Movieland


From punk rock venues in Edmonton to London art galleries, Alan D Boyd's creative journey spans decades and continents while remaining true to his Canadian roots. The musician, filmmaker, and sonic explorer shares the winding path that led him to form Movieland in early 90s Vancouver—a band whose unreleased recordings have found surprising new life through 604 Records' Decades imprint.

Boyd vividly recalls his formative years in Edmonton's vibrant music scene, where venues like Spartan's Men's Hall hosted legendary punk acts alongside local heroes. These experiences shaped his DIY ethos as he moved through various musical projects before landing in Vancouver's fragmented but fertile creative community. There, working at the 24-hour Benny's Bagels, he connected with kindred spirits influenced by everything from Stone Roses and De La Soul to the emerging sounds of Dinosaur Jr and Nirvana.

The analog era of music production comes alive as Boyd describes crafting Movieland songs on his trusty Tascam 488 eight-track recorder, challenging conventional studio wisdom by deliberately pushing guitars louder than vocals. These recordings, preserved on deteriorating cassettes and ADATs, have been meticulously restored using AI technology—resulting in music that sounds so contemporary that listeners question whether it's new or from decades past.

Beyond Movieland, Boyd explores his parallel project Little Sparta, which merges post-punk aesthetics with folk sensibilities and cinematic landscapes. His collaborative approach extends to filmmaking, with documentaries about UK session musicians and the late artist Bill Fay currently in development.

Don't miss Movieland's upcoming single release on March 28th, with Boyd returning to Canadian stages in Vancouver and Edmonton this spring—a homecoming that bridges his past and present creative worlds.



Vancouver’s Movieland is a cult shoegaze trio from the early '90s, blending melancholic melodies with lush, textured soundscapes. Their early recordings are being re-issued as Then & Now (2024) with new music to follow in Now & Then (2025) on 604 Records.


MOVIELAND live:
March 27th Vancouver The Red Gate - Evening
March 29th Vancouver 604 Decades Launch - Daytime 
April 5th Edmonton Cask & Barrel - Daytime 

MOVIELAND releases: 
March 29th SINGLE C’Mon Let’s Go

Mar 16, 2025

Avery Friedman • “Photo Booth” • 2025





I wrote this song after a vibrant night out with my friends last winter – a night memorialized by many chaotic photo booth strips. Something about the novelty, containment and ephemerality of a photo booth just invites a sort of flirtatious mischief. This night out in particular felt like an encapsulation of spin-the-bottle-type ‘second adolescence’ that many queer people experience when coming into themselves after their adolescent years pass. This song really came into itself when we decentered my guitar, and surrendered to the more chaotic, pop-adjacent production it was asking for.